#Divan e shams e tabrizi pdf free professional#

Following ShamвЂ™s second disappearance, Rumi returned to writing poetry lauding Shams and lamenting his disappearance. During ShamвЂ™s initial separation from Rumi, Rumi wrote poetic letters to Shams pleading for his return. Shams abruptly left Konya in 1246 C.E, returned a year later, then vanished again in 1248 C.E, possibly having been murdered.

Rumi, who previously had no background in poetics, quickly became attached to Shams, who acted as a spiritual teacher to Rumi and introduced him to music, sung poetry, and dance through Sufi samas. In 1244 C.E, Rumi, then a jurist and spiritual counselor working at the behest of the Seljuk Sultan of RГ»m, met a wandering Sufi dervish named Shams-i Tabrizi in Konya. Pages from a 1366 manuscript of the Divan-i Shams-i Tabrizi in the MevlГўna mausoleum, Konya, Turkey Rumi evidently found the traditional metrical constraints of ghazals to be constraining, lamenting in one ghazal that fitting his poems into the traditional вЂњdum-ta-ta-dumвЂќ ghazal metre was a process so dreadful that it killed him.

#Divan e shams e tabrizi pdf free professional#

Notably, due to the extemporaneous manner in which Rumi composed his poems, much of RumiвЂ™s poetry has an ecstatic, almost trance-like style that differs from the works of other professional Islamic poets. Though belonging to the long tradition of Sufi poetry, Rumi developed his own unique style. Rumi signed off most of his own ghazals as either KhГўmush (Silence) or Shams-i Tabrizi. By convention, poets writing ghazals often adopted poetic personas which they then invoked as noms de plume at the end of their poems, in what are called takhallos. Most of the poems in the Divan follow the form of a ghazal, a type of lyric poem often used to express themes of love and friendship as well as more mystical Sufi theological subjects. Although most of the poems are written in Persian, there are also some in Arabic, as well as some bilingual poems written in Turkish, Arabic, and Greek. It contains 44,292 lines (according to Foruzanfar's edition, which is based on the oldest manuscripts available) 3,229 ghazals in fifty-five different metres (34,662) 44 tarji-bands (1,698 lines) and 1,983 quatrains (7,932 lines). He has always expected, nay, demanded the reader to reach higher and higher in his or her own spiritual understanding, and then perhaps be able to appreciate what Rumi was saying.The Divan contains poems in several different Eastern-Islamic poetic styles (e.g. While many other poets have a mystical vision and then try to express it in a graspable language, Rumi has never attempted to bring his visions to the level of the mundane. However, he has always expressed spiritual wisdom of the highest level through this imagery. Images such as the wine and the wine bearer, the pearl and the ocean, the sun and the moon, the night and day, the caravan, pilgrimage and many more. In Divan-e Shams, he has used many images from the mundane world. He attained heights that were attained by only a few before him or since. It is often said that Rumi had attained the level of a 'Perfect Master' and as such, he often dwelled in the spiritual realms that were rarely visited by others of this world. Please click on the various numbers below to go to different poems: Versions I & II - Versions I & II Brief notes on Divan-e Shams Divan-e Shams is a masterpiece of wisdom and eloquence. 'Shams Tabrizi (1184-1247) was a mysterious Persian mystic, credited as the spiritual master of Rumi, and is referenced with great reverence in RumiвЂ™s poetic collection, in particular Divan-e Shams Tabrizi (The Works of Shams of Tabriz).